12/20/2023 0 Comments Last hope realtyIt should, by all rights, be the kind of goofy, over-the-top sci-fi series at which many anime excel. combining by jumping on top of each other a la Tengen Toppa Gurren Lagann. There’s all kinds of whacked-out imagery, including but not limited to: literal equations flying around and fusing with strands of DNA a giant mechanical crab bent on murder and B.R.A.I. The first episode, however, makes one of the story’s greatest faults abundantly clear: failing to embrace its silliness. Meanwhile, Leon Lau, the exiled scientist behind the quantum reactor, struggles to perfect the Hyperdrive, a quantum weapon that would allow humans to battle against the B.R.A.I. using Multi-purpose Organic Evolution Vehicle (M.O.E.V.) variable units. The people of Neo Xianglong, the last remaining city, fight the B.R.A.I. The new biomechanical lifeforms, known as Biological Revolutionary of Artificial Intelligence, or B.R.A.I., pose a major threat to the last vestiges of society. It takes place in the year 2038, seven years after a quantum reactor exploded, spurring an evolutionary explosion that caused biological and mechanical forms to merge but killing most of humanity. The concept behind Last Hope is pretty silly, albeit more or less in line with Netflix’s original anime lineup thus far. Last Hope, with its quantum physics-fueled biomechanical designs and concepts, exemplifies both sides of the Kawamori equation. The other is that his eccentric worldview can lead to some truly off-the-wall concepts, many of which don’t make for great storytelling. One is that he’s an extremely gifted mechanical designer-he builds prototypes of his designs using Legos to make sure they’re mechanically sound. Listening to the man behind not only Last Hope, but influential anime series like Macross and The Vision of Escaflowne, made me realize two things. I was lucky enough to see Shoji Kawamori, the creator of Netflix’s new anime series Last Hope, at Otakon this year.
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